"…Put aside your pathetic mammalian fears and prejudices and
learn the truth about turtles and tortoises, lizards and snakes, and of
course, at the pinnacle of reptilian excellence, the crocodiles and their
kin. Within the walls of the lost world of reptiles you will find grace,
beauty, specialization and adaptability. In other words, if I hear about
anybody swerving on the road to hit snakes, I'll track you down through
the ages… and EAT YOU!"
Following the devastation of the Reptile Park by the fire of July
2000 the process of reconstruction presented a rare opportunity to
create something
truly original. Stories of 're-birth' and metamorphosis abound in many
cultures - but are exemplified in Egyptian mythology with the story
of Phoenix, the
sun-bird that famously rose from the ashes in rejuvenated splendor. But
it was the Egyptian crocodile-headed god Sobek, and in particular,
the temples
dedicated to him that would provide special inspiration for the redevelopment.
Palacial temples such Kom Ombo might well be regarded as the world's
first 'reptile parks'. There, priests farmed crocodiles and performed
crocodile
feeding shows for Greek and Roman tourists.
Now, more than two thousand
years after the last crocodile feeding show was performed at Kom
Ombo, and on the opposite side of the globe,
Sobek has resumed
his role as ambassador for the scaly kingdom, taking pride of place
in the Lost World of Reptiles exhibition. Under Sobek's watchful eye,
reptiles from
around the world are presented within the context of long-lost civilisations
- depicting elements from Ancient Egypt, Athens, and Rome - more often
than not in a humorous, tongue-in-cheek manner. The result has been
the creation
of a very fun and highly educational adventure.
Over a period of only 18 months following the fire, teams of highly
skilled workers transformed an enormous, burned out shell of a building,
into one of the most unique zoological attractions anywhere. Tradesmen
of all descriptions rubbed shoulders with sculptors, model makers, muralists
and lighting and sound technicians. Throughout the project many Reptile
Park staff members were involved in the hands-on production - with many
late nights spent assisting in the construction of 'stone' walls, artificial
rock features, fiberglass ponds, etc. Within a short period some of the
more ebullient of these zoo keepers, receptionists, education officers
and food service workers began to regard themselves as legendary artisans
in their own right.
The project progressed in stages - only one section of the exhibit
area was inaccessible to visitors at any given time. Some of the components
were produced off-site to minimize disruption. Finally, on April 8th,
2002, an official opening ceremony was held to signal completion of the
project.
Entry to the exhibition can only be gained through the gaping jaws
of a 30 metre-long model crocodile. Just inside the croc-mouth, an animated
Egyptian mummy urges visitors through to the Lost World of Reptiles.
Upon entering the spacious recreation of Kom Ombo, awe-struck visitors
are confronted by the five metre tall crocodile god Sobek, guardian
of
the pharaohs and ambassador of the reptile kingdom. From his golden
throne, with feet soaking in a pool full of live crocodiles, Sobek thunders
a
reptilian-righteous oration, punctuated with billowing puffs of smoke
and bursts of thunder and lightening.
Upon completion of Sobek's speech, visitors are free to explore the
exhibition and view a wide range of the world's most fascinating reptiles
from tiny geckos to awesome king cobras. Within the Lost World of Reptiles
visitors can see the biggest, the deadliest, and even the rarest of the
world's reptile species (the rough-scaled python). The innovatively designed
exhibits are world-class in their presentation. 'Mad mummies' provide
comic relief as visitors explore mysterious passageways and ancient chambers
reminiscent of an Indiana Jones film set.
After exploring the numerous reptile displays within the Egyptian component
of 'Lost Worlds', visitors enter the ancient Australian section - Goanna
Gully, where they encounter a frighteningly realistic seven-metre-long
model of the prehistoric Megolania - the largest ever 'goanna' or monitor
lizard, which no doubt terrorized the earliest Aboriginal settlers.
A living example of Australia's largest surviving goanna - the Perentie
Varanus giganteus is exhibited in a spacious recreation of a centralian
desert. Nearby, frilled lizards Chlamydosarus kingii are exhibited
in the context of a northern woodlands scene. Upon leaving Goanna Gully
visitors find additional reptile exhibits within the settings of additional
'Lost Worlds' - including a Greek amphitheatre - and further along,
elements of ancient Roman civilisation.
Everywhere the visitor looks something unexpected appears - always
within the mysterious trappings of a lost ancient civilization. Although
immersed in the Lost Worlds theme, each of the more than 40 reptile exhibits
accurately recreates some aspect of the natural world. In many cases
the effect is enhanced by the use of open top sections to glass fronted
enclosures. In others enclosure 'walls' are replaced by glass surroundings.
Underwater viewing is afforded for many of the aquatic exhibits. High-tech
heating, lighting and humidifying systems assist in maintaining various
reptilian environments, ensuring good health and a comfortable captive
life for the animals.
By far the worst outcome arising from the fire was the death of nearly
the entire reptile collection. Many of the animals had been maintained
for more than twenty years and of course could never truly be replaced.
Nevertheless, it was apparent that a new and extensive collection of
reptiles would have to be assembled. Fortunately, most Australian zoos
and fauna parks were very quick to offer assistance, as did numerous
other reptile keepers. Within a short span of time a large proportion
of the animals required had been obtained. The remaining species would
have to be imported from overseas - something no privately-funded Australian
zoo had done in over 30 years. The bureaucratic challenge proved to be
incredibly onerous - but not impossible. A purpose-built high-security
quarantine facility was built, which now operates in accordance with
stringent legal requirements. A trial importation of reptiles from U.S.
zoos was thereafter successfully undertaken, and numerous additional
species will be imported in the future.
The reptiles exhibited in Lost World of Reptiles represent a wide
range of species from nearly every corner of the globe. From crocodiles
and
alligators, to turtles, lizards and snakes, visitors receive a broad
introduction to the world's remarkable diversity of reptiles with
a special emphasis on Australian forms. 'Leonardo', the massive 50kg
American alligator
snapping turtle was found wandering through the storm-water sewers
of Sydney in late 2000 and has become a favorite with visitors and
Reptile
Park staff alike. Other popular exhibits include those containing
reticulated pythons - the largest snake species in the world, king
cobras - the longest
of the world's venomous snake species, and the rough-scaled python
- regarded as one of the world's rarest snake species, and the subject
of considerable fieldwork by Reptile Park staff. The exhibit for
this
species recreates the sandstone escarpment country of the Kimberley
region of Western Australia, where it is confined to small, isolated
gorges.
Other effective exhibits include those provided for South American
iguanas (Rob - blue - with resulting photo of exhibit…), Philippine
sail-finned lizards (return to blue!), central netted dragons, Fijian
banded iguanas,
and a full range of Australia's own venomous snakes.
It was an aim in the redevelopment to depart significantly from the
kind of zoo experience generally accepted as the norm - not that the
Reptile Park has ever comfortably fit into the mold of 'fauna park' or
'zoo'. The Lost World of Reptiles offers a fresh and unique approach
to zoo displays that successfully enhances the wonderment, appreciation,
and understanding of visitors for nature, while at the same time contributing
to the provision of an unforgettable day out.
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